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Archive for March 2007

Leaving Facebook: Paranoia or Good Judgment?

In Opinion on March 30, 2007 at 11:02 pm

Hi5 left a bitter taste in my mouth but Facebook miraculously outdid it in less than five days. The simple truth is, I just do not trust “social networking” sites. Don’t get me wrong; I am all for cyber friendships, just not this type. Read on to learn why.

A few years back, I had a cyber stalker who played cheap mind games that were not frightening per se. Yet this person obtained access to some of my private documents (things nobody will buy, don’t reach out for your wallets) and this disturbed me profoundly. I even lost some sleep over it.

Ever since then, I became somewhat big time paranoid when it came to my online privacy and security, and I never again used p2p programs to get songs and the like. I also developed an obsessive compulsive disorder that had me “clean my traces” — or whatever I could clean — after every session online. On top of all that, I never saved anything of value on my laptop or any computer I used. Up to this day, I live those habits and many more — me officially paranoid.

When the Facebook buzz hit town, almost everyone I know urged me to join. I did not comply, up until five days ago. My thoughts were along the lines of “what could possibly happen?,” and I discovered exactly what. Two of my friends, one in Canada and the other in Egypt, complained to me about a Jordanian person who has tagged them both and asked to add them to his network. These two friends do not know each other, and they both asked me if I know this stranger since I am Jordanian.

When I realized that this person has tagged both my friends, and that I was the person they had in common, I flipped out. What are the odds of having a total stranger tag both your friends who have nothing in common but you? Seriously? Add to that, he previously harassed them both on Hi5! I don’t know about you but to me the whole affair sounds fishy and it smells too much like fear.

This already weighing heavily on my mind, I came across a presentation that basically strips Facebook of its alleged “security supreme.” Here is a link to the presentation called “Does what happen in the Facebook stay in the Facebook?” Now the content of the presentation may sound a little outlandish, especially towards the end, but to my ears it was a warning I could not shrug away.

I deactivated my Facebook tonight, and now I feel slightly better. I can never feel “at ease” with Facebook until they completely wipe out all the information I foolishly gave them about myself. The site now says that I can “reactivate” my account simply by entering my registered email address and password — and that is very alarming to me. I want my account to be entirely deleted.

Ironically, when I consulted Facebook’s help issues to know how to deactivate my account, the site said something like: “Oh, you really want to deactivate your Facebook account? Well, what are you going to do with your time?” To that I mentally said: “I would live normally in my secure-illusion-paranoia-paradise, thank you.”

The effect of this information on me is probably very different from its effect on you. The difference between me and you, in this case, is that I know what happens when you get stalked (and it is not pretty). So my advice to you is to check if “social networking” is worth the potential risk, and do not imagine it only happens to other people. You are always better safe than sorry.

I may be paranoid, but only the paranoid survive.

The One Advantage of a Patriarchal Society

In Life on March 29, 2007 at 11:24 pm

I must admit this story is a bit embarrassing to relate to strangers and family alike. Relate it I must, however, to make the argument of this post. Today I managed to park my car on top of a massive brick, somehow, thanks to my stubbornness. Sometimes I am very very stubborn, and today I paid dearly for this bad composition of character.

I really wanted to park in that place and so I ignored the noise coming from under the car and just settled on top of the humungous brick. When I got back to the car after running some errands, I discovered that the brick had settled precisely in the middle of the car’s lower body, and that the car would not budge.

What to do, what to do…

I resolved to try to move the car a bit with all its might, so the brick would sort of move out of the way. Then the noise returned, obviously, and a man came running to me, yelling at me to stop moving the car. I stopped, and got out of the car, and looked at him. He scanned the situation under the car and judged it very, very grave. He then reproached me (a total stranger, remember) and confessed he “cannot understand how I did not see the brick when I parked.”

I couldn’t help but notice a big, old, green heart-shaped tattoo on his left arm. There was an arrow piercing through the heart, too. I paced around Havana Brown, expecting some miracle to deliver her and/or an announcement from the stranger that he can do nothing to help.

But fear not. My anonymous tattooed chevalier asked for a jack and I exclaimed that I “think I have one somewhere in the trunk,” to which he responded by asking me to open the trunk. Then my savoir fetched the jack and lifted Havana up, up, up — so much up that I thought she would fall on him and kill him once the brick is removed.

I was silent the whole time. There was nothing for me to say, really. The anonymous helper called for his friend from time to time and they referred to me in the third person, never talking to me in my face. Of course, this was no time to pull any feminist stunts, so I remained silent.

This good person stayed with me for fifteen minutes and saved Havana Brown. I was, and still am, amazed at the goodness of his spirit. I know I could not have done much about the situation, since I tried moving another brick (which was not stuck under anything) and I couldn’t. Sometimes you just have to have muscles, and not a brain, to do things.

In conclusion, this is one instant where I am indebted to my patriarchal society. I did not even have to ask for help, help came running to me, and stayed with me until I was OK.

Super Fly: A Fresh Perspective

In Picturesque on March 28, 2007 at 10:21 pm

I am in love with the Joe Cartoon character Super Fly and so I decided to dedicate this post to celebrate THE fly.

Super Fly

Super Fly!

Viva Super Fly.

Living Waste

In Personal on March 27, 2007 at 8:40 pm

If I ever do, I shall not settle with someone who does not travel at least five times a year. The simple reason for this resolution is that during my life I have wasted numerous (literally) chances to travel abroad. They were all fully paid-for, too!

But it wasn’t “me” personally who wasted two chances to go to Italia, a chance to go to Egypt, one to go to Morocco, one to Lebanon, one to Bosnia, another to the United States. It was culture that cost me these trips and it was also religion.

You see, some people believe that it is against their religion to let a young lady (that’s me) travel alone. My family’s culture and religious beliefs pretty much goes along these lines. Personally though, I do not subscribe to this point of view. And at this particular moment, I am at the peak of my anger/resentment/irritation at this compulsory code of conduct.

I’ll write more about this later. Stay tuned for another episode of Fuming Tololy.

Duo Degani: Upcoming Concerto

In Italiano, Jordan on March 26, 2007 at 12:04 pm

Ciao a tutti! Ecco una nuova invitazione per un concerto organizzato dall’Ambasciata Italiana. Il concerto sarà il 31 Marzo 2007 alle 8:30 in Zara Expo Auditorium. Parlando della mia esperienza di concerti organizzati dall’Ambasciata, ci sarà vino rosso gratis.

Ciao everyone! This is a new invitation to a concert organized by the Italian Embassy in Amman. The concert will take place at the Zara Expo Auditorium on March 31st at 08.30 p.m. I hope you can make it because, if for nothing else, there’s always free red wine.

LOCANDINA DUO -AMMAN.jpg

Ci vediamo! See you there!

Pictures of Spring

In Picturesque on March 24, 2007 at 5:26 pm

Beauty

Wild Beauty

Picnic - Yazeedeyyeh (6)

Someone Voted for The Box

In Bits & pieces on March 21, 2007 at 10:06 pm

This is an irrelevant post to anyone but me, really, so don’t read on if irrelevance disturbs you. I just found out that some people actually voted for The Box over at toot! Wow! This is significant for two reasons; A- Because for some time I saw no votes for Tololy’s Box over at toot, and B- Because it is thoughtful of the people who voted. Thank you!

“Islamic, or the Fishes”

In Bits & pieces on March 21, 2007 at 2:59 pm

The other day I watched Children of Men, a movie starring Michael Caine and Julianne Moore, released in the U.S earlier this year. The plot of the movie, and I quote a plot summary posted on IMDb is this:

In 2027, as humankind faces the likelihood of its own extinction, a disillusioned government agent agrees to help transport and protect a miraculously pregnant woman to a sanctuary at sea where her child’s birth may help scientists to save the future of mankind.

I could not find the script of the movie online (probably because I am not in the mood for a cyber hunt), but there was one line in the beginning of the movie that made me uneasy throughout the one hundred minutes that followed. After an explosion takes place in London, in the year 2027 — remember this bit, one of the main characters of the film asks another main character about who he thinks was behind the explosion, to which the latter says:

Islamic, or the Fishes.

The movie was, what’s the word?, “stitched together.” The first 60 minutes or so were considerably challenging to fathom thanks to events and jargon the director and the cast know but devilishly conceal from us the viewers. I did not feel bored, except towards the end, and I did not feel unsatisfied, also except in the end. The ending of the movie was a total failure in my opinion, because it was beaming with hopefulness and other nonsense.

Back to the line that irritated me. Islamic, or the Fishes.It turns out it was the Fishes, if you’re curious, pretty much the same way it turned out McVeigh & Co. were behind the Oklahoma city bombing in 1995. In attempts to “analyse” my discomfort at the remark, I discovered it was because the movie was feeding the viewers with the idea that in 2027, the Islamic would be killing people.

Now I am not even going to start on the word Islamic and the word Islamicist, because the script is either notoriously oblivious to the differences between the two words or deliberately mischievous. But I am interested in knowing why the word Islamic was injected in the script, when the movie had nothing to do with anything related to Islam? As a matter of fact, never again does the word appear in the movie!

The question is, then, why project a futuristic image of 2027 that caters to the same Islamophobia that is plaguing the world today? Why make your viewers believe that the Islamic will be a threat to them in the future? Aren’t we fighting this battle of prejudice and injustice every day, now?

It would have been ridiculously easy to invent a name for some movement and insert it in the dialogue instead of the Islamic. I will show you just how easy that would have been:

A: Who do you think was behind it?
B: The Cats, or the Fishes.
B: The LSD, or the Fishes.
B: The Amoeba Brothers, or the Fishes.
B: The LNR, or the Fishes.
B: The Coalition of Self-Destructive Maniacs, or the Fishes.

You get my drift.

Interestingly, I came upon a BBC review of Children of Men, and the introduction of the review read:

Paranoia about illegal immigration and references to Islamic terrorism sit uncomfortably with the plot’s central crisis of infertility. The real power is in the simple contrast of despair and hope, the latter embodied in a pregnant woman who seeks protection from a typically world-weary Clive Owen.

Ban the Business Burqa

In Bits & pieces on March 20, 2007 at 5:12 pm

I found this cartoon on some forum today, it made me smile to myself and think “Oh yeah?” Here:

Ban the Business Burqa

Iman Maleki: Images of Iranian Nature

In Wonder Woman on March 16, 2007 at 6:15 pm

I have always been impressed by realism in painting, among the many fascinations I had for the artistic -isms. Today I am sharing paintings by an Iranian realist called Iman Maleki. Iman Maleki was born in Tehran in 1976, and he has a website that you can access by clicking here. The website features the artist’s works (in much bigger sizes than the ones shown here), and I am sure many of you will find them simply stunning.

I came across Iman Maleki’s work by pure chance as I was googling images randomly, searching for exotic visuals (one of my favourite pastimes). Here are my favourite paintings; and as you shall presently see, they are of women. I believe I appreciate Maleki’s creativity because it also involved veiled women as models of beauty and wonder, instead of portraying them as objects of captivity and decline. There is nothing more profound than art that speaks to you.

A Girl by the Window

Memory of that House

Omens of Hafez

Detail 1 - Omens of Hafez

Detail 2 - Omens of Hafez

Untitled 100

Sunlight

Update: Italy the one and only. A Century of photography 1900-2000

In Bits & pieces on March 15, 2007 at 1:44 pm

I just received the following update concerning the photography exhibition “Italy the one and only. A Century of photography 1900-2000″:

Due to the adverse weather conditions, the National Gallery of Fine Arts has kindly asked us [the Italian Embassy] to postpone the inauguration of the Exhibition “Italy the one and only. A Century of photography 1900-2000”. We agreed to hold the inauguration on Saturday, March 17th 2007 at 06.00 p.m.

Short Movie: Oh, Yellow Scorpion

In V for Video on March 15, 2007 at 1:24 am

Keep Walking: A Movie of a Turtle

In V for Video on March 14, 2007 at 12:52 pm

مخاطر البريد الأردني على الصحة

In عربي on March 13, 2007 at 12:35 pm

لمدة تجاوز السنتين لم أتمكن من استقبال أي بريد خارجي على صندوق البريد الخاص بالعائلة. من العجيب أن تصلنا كل الفواتير و الدعايات و الوثائق الداخلية (بمعنى أنها ترسل من داخل الأردن) و أن لا تصلنا أي طرود أو بطاقات معايدة أو رسائل من الخارج.

للوقوف على حالة محددة من العجز البريدي الأردني, و بعد محاولات كثيرة من أشخاص خارج الأردن لإرسال أنواع مختلفة من “الأشياء” حتى نقطع الشك باليقين إن كان العجز مقتصراً على “أشياء” دون أخرى, سأقصر الحديث على نتائج امتحان اللغة الإنجليزية لغير الناطقين بها أو التوفل.

كان من المفروض, و قد أصدرت النتائج في منتصف شهر كانون الأول الماضي, أن تصلني رسالة بالبريد تحتوي على نتائج الامتحان, و لكن عندما انقضى شهر كانون الثاني و لم تصل قمت بإرسال استفسار إلى الهيئة المشرفة على الامتحان أسألهم إن أرسلت النتائج إلي و كان الرد بالإيجاب و تم أيضاً تأكيد العنوان البريدي. بالطبع طلبت إعادة إرسال النتائج (لأنني بعد ذلك سأضطر إلى شراءها إذا احتجتها) و عرجت على مكتب البريد لأؤكد للموظفين أنني أنتظر رسالة في غاية الأهمية و أن النسخة الأولى منها لم تصل, فما كان منهم إلا أن ألقوا باللوم على البريد المركزي.

و مرت الأيام و لم تصل الرسالة الثانية, فبحثت عن رقم شكاوى البريد لأسجل شكوى رسمية. و للعلم فقط, لم أتخيل أن العثور على رقم شكاوى البريد هو بهذه الصعوبة, فمأمور مقسم الاستعلامات لم يستوعب أنني لا أريد رقم الاتصالات الأردنية و على الرغم من الشرح و التكرار أعطاني رقماً خاطئاً. أضيفي إلى ذلك أن الرقم المنشور في الجريدة غير صحيح, و أن رقم شكاوى البريد الموجود على إحدى قسائم الدفع غير “مأهول” بمعنى أن لا أحد يجيب الهاتف!

المهم, في النهاية وجدت رقماً و طلبت أن أحول إلى قسم شكاوى البريد و بالفعل قام النشمي بتحويلي إلى موظف الشكاوى و دار بيننا الحوار التالي:

أنا: معلش أنا مو عارفة وين المشكلة إزا عندكم و لا عند مكتب البريد, بس إحنا ما عم يوصلنا بريد خارجي بس أي إشي داخلي بيوصل. هادا الحكي صارلو سنتين و انبعتلنا كتير أشياء مو بس طرود و ما وصلوا. احنا صندوق بريد كزا كزا و مكتب بريدنا كزا كزا.
موظف الشكاوى: طيب يا أختي ليش دايمأ بتحطوا الحق على البريد الأردني؟ مش ممكن تكونوا معطين العنوان غلط؟
أنا: لأ, لإنو هاي القصة صارلها سنتين و مو شخص واحد اللي عم يبعت, في أشخاص و هيئات كتير بعتت أشياء و ما وصلوا. بعدين كيف العنوان غلط و هم بأكدولنا العنوان و إحنا بوصلنا البريد الداخلي؟ يعني مع تنوع الجهات اللي بتبعت, البريد الأردني هو الإشي الوحيد المشترك!
موظف الشكاوى: طيب هاذا بريد مسجل ولا عادي؟
أنا: عادي
موظف الشكاوى: إذا بريد عادي أنا ما بقدر أتتبعه, أما إذا مسجل منقدر نتتبعه و نشوف شو صار
أنا: شو يعني لازم كل الناس تبعت بريد مسجل مشان يوصل؟ مش معقول يعني مو كل الناس بتقدر تبعت مسجل! و الباقي خلص بضيع؟ ليش اسمه البريد الأردني لكان إزا هو بس للبريد المسجل؟
موظف الشكاوى: و الله البريد العادي ما بقدر أتتبعه
أنا: طيب بقدر أسجل رقم شكوى؟
موظف الشكاوى: أعطيني رقم تلفون المنزل

و هكذا انتهت المكالمة غير المثمرة لشكاوى البريد الأردني, و قد أصبت بحالة من “سم البدن” كنت أتمنى أن أتفاداها و أن أرسو على بر مع البريد الأردني و لكن و الحق يقال, طلعت “فستق فاضي.”

Ideal Pouring of Mind

In Life on March 10, 2007 at 5:44 pm

In the car on my way home today I was truly inspired. The weather was beautiful, the sun not too hot, and the wind warm to a perfect degree. I wished I had my laptop with me right then and there to record what I was feeling.

All of a sudden I wanted to e-mail a long-gone intimate, and I wanted to write some five articles all at once. I saw the articles forming in my mind’s eye, and I knew exactly what to say and how to say it.

I wanted to say things that had been bottled up way deep in my head that I never could really fathom them, but in a moment of clarity I knew precisely what they were and I was able to physically feel them. It was almost orgasmic.

The minute I arrived home, I found the place dark and cold. The sun outside was still warming the garden and the veranda, the cacti seemed to bathe in its warmth without a worry in the world. The house, in contrast, was frozen and still.

I had to remain inside for ten minutes to change and arrange my things. By the time I came out again, the heat from the sun was gone. My cold room absorbed that tranquil warmth and my limbs, due to my poor blood circulation, stiffened and turned cold.

When I rushed outside the sun had fainted. The warmth was no longer there and it was replaced by a slow, steady, cool wind. Everything basked in the shade and I kept searching for a patch of light to rest in, in the garden and in the veranda, to no avail.

I also lost my muse. She’s too illusive in the cold.

Photography Exhibition: ITALY. THE ONE AND ONLY – A Century of Photography 1900–2000

In Life on March 8, 2007 at 11:48 am

The Italian Embassy in Amman is organizing a major photography exhibition from March 15-29, 2007 at the National Gallery of Fine Arts. The exhibition is titled “Italy. The One and Only – A Century of Photography 1900-2000.”

I received the following press release from the cultural bureau (grazie a M.L.I) and, of course, I will visit the exhibition:

ITALY. THE ONE AND ONLY – A Century of Photography 1900–2000

Amman, Jordan National Gallery of Fine Arts, Jebel Alweibdeh, March 15-29 2007

Jordan National gallery of Fine Arts, with the patronage of Princess Ghida Talal, and in cooperation with the Italian Embassy in Amman presents a photography exhibition, a hundred years long, to tell the story of Italy, the one and only. Truly one and only since, despite its many facets and inimitable features, Italy has made a name for itself throughout the world and whatever sector comes to mind, it will always have something uniquely Italian. Throughout the twentieth century Italy was defined for better or for worse by the succession of events, anomalies and aspects that marked its development. Today, on the threshold of the third millennium, in the face of any possible attempts at cultural splintering and hoping to confirm anew the uniqueness of this country and its history, we intend to celebrate it all with an exceptional photographic exhibition.

A hundred years ago, Alinari (the oldest firm in the world in the field of photography) already had fifty years experience to its credit in documenting the story of Italy, and was offering the world the history of art in pictures. Today Alinari is presenting the public with a visual coverage of a century of events in the life of this nation, and is presumptuous enough to hope that the visitor will pause, however briefly, before a picture in sudden awareness of just how much has happened in these hundred years.

Curated by Cesare Colombo, the exhibition includes twenty-two thematic sectors, in each of which the various topics are dealt with according to style and period. The photographs are by well known Italian and foreign photographers and have been classified in keeping with the great historical subdivisions of the twentieth century. From the early 1900s the exhibition moves on to the Twenties, then to World War II, the 1960s and lastly to the current decades. With the «archaic» Italy of uncontaminated landscapes and people whose faces reflect their struggles and determination as its point of departure, the exhibition moves on through wars and famines, narrating the development of the nation in pictures of monuments and architecture, means of transportation, industry, crafts, design, fashion, food, education, art, literature, music, theatre, cinema, radio and television, medicine, up to the latest technological and scientific conquests. The land is crossed from east to west, from north to south. The fields are farmed. Hamlets and cities grow. Life goes on apace in the homes and factories, and in the service sector. Communication networks criss-cross the country. Bartering and selling. Eating and dancing. Holidays at the sea, tourism and folklore are other salient features of our collective image. But the social changes in the 20th century are also marked by the flow of migrants: up to thirty years ago emigration, and now immigrants to Italy in search of economic security.

The 204 photographs on exhibit, by over 140 photographers, have been carefully selected from the collections of the Alinari Museum, the Alinari archives and the principal Italian and foreign museums, as well as from those of the photographers themselves. The pictures of a century ago by Alinari, Brogi, Wulz, Nunes Vais, Michetti (to name only a few) are countered by those of Leiss, Lattuada, De Biasi, Patellani, Berengo Gardin, Giacomelli, Basilico, as well as by the most famous non-Italian photographers who focussed their cameras on Italy, such as Stieglitz, Cartier-Bresson, Capa, Klein, etc.

The opening will be on March 15 2007 at 6 pm and will run until March 29 (opening hours: 9 am-5 pm). A representative of the Italian archive, Dr. Sesti will attend the opening of the exhibition be ready to provide further details on the event.

Jordanian Songs Online أغاني أردنية

In Jordan on March 6, 2007 at 3:55 pm

I found this great site that lets you download all-original Jordanian songs, old and new, for free! This is great news for anyone who grew up listening to these songs (even if forced into it): http://www.vivajordan.net/

Paintings by Nerida de Jong

In Wonder Woman on March 6, 2007 at 2:18 pm

I received some beautiful paintings as email attachments just now, and I fell so much in love with them that I want to spread the joy. The paintings are by Nerida de Jong, an Australian artist born in 1945 in Sydney. This is one page I could find about Nerida de Jong, and it features a collection of her art.

La Fille Malheureuse
 

Nadia & the Cats

Sleeping Mother & Baby

Trekking Through the Snow

 

Another Batch of Pictures from Lweibdeh

In Picturesque on March 4, 2007 at 9:26 pm

I’ve been to Jabal Al Lweibdeh two days ago and snapped some pictures. Take a look:

Lweibdeh

Lweibdeh

View From Lweibdeh

Another View From Lweibdeh

Lweibdeh

Lweibdeh

Nosering: What Happens When It Falls

In Body Art on March 2, 2007 at 11:55 pm

Since nostril piercing happens in the cartilage of the nostril, it is considerably easy for the hole to close if the jewellery falls off or is taken out of place for some hours.

Wikipedia defines nostril piercing as follows:

Nose piercing is the piercing of the skin or cartilage which forms any part of the nose, normally for the purpose of wearing jewellery; among the different varieties of nose piercings, the nostril piercing is the most common. Nose piercing is one of the most common varieties of piercing after earlobe piercing.

I woke up yesterday to the grim discovery that my nose stud had fallen off. I searched for it, and I found it. I did not know how long my nose stud had been out of place, because it could have fallen off at any point during the night. When I tried to re-insert it in its place, I found considerable difficulty.

The “hole” was still visible, and the nose stud went almost halfway in, then stopped. I think the internal cartilage must have closed up. Do not be concerned though, I would never let any such thing cost me my precious nose piercing. I pushed it in and that was naturally a little painful (not very) and the deal was done.

If you find yourself in the same situation, expect some pain and some rather trivial/almost invisible swelling for two days or so. Nobody said beauty was painless. Enjoy your nose piercing!